Time To Step Up, Philip
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And the chains they crash like thunder
While the weak ones all retreat

Gotta draw first blood
Or they'll read your funeral rights
When the lightning strikes
I'm still superstitious enough to go with the Aerosmith for the second week in a row. You probably saw my B/R article already on my continued fears about Rivers. Incidentally, those of you that worried about and for me when I began writing pieces over there will want to read this article on Bleacher Report. All I'll say, is that I still feel like it's been a good arrangement.
As I mentioned in the aforementioned piece, I know that tomorrow night's game is inconsequential compared to the Denver game the following week. But for my confidence in this team, it's a huge deal. Let's be honest, no one thinks that they can win tomorrow. Between the Saints being "due" at 0-4 and Brees having a big game the previous week, the stage seems set for them to get their first victory.
Factor in the face that the NFL is letting Payton attend the game to watch Brees break Johnny U's record and you've got everyone pulling for New Orleans. Brees and Payton built a system that utilizes Drew's strengths better than anything Brian Schottenheimer could cook up. I'm sure you remember, FAITHFUL READER, that Brees played in a spread offense at Purdue.

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Sam and I are taking the kids to Martha's Vineyard for the week tomorrow. This means seven days of 

Ah, home, sweet home. I wasn't making a Motley Crue reference. It just feels good to be here within the Halls Of Justice. My article on Junior was pretty well-received, as you can see from the Tweet to the right. It seemed like my tribute to LaDainian also struck a chord, although in a far different way. However, it's been almost since April that I got in front my keyboard for and old-school JIC entry. I know there are mixed feelings about my involvement with 

In the Summer of 1975, Bruce Springsteen was backed against the ropes. His first two albums, Greetings From Asbury Park, N.J., and The Wild, The Innocent, and the E Street Shuffle, had been critically but not commercially successful. Jon Landau of Rolling Stone, who famously wrote in 1974 that Springsteen was “rock and roll future,” had taken leave from his job to help him finish his third record. The album, to be named Born to Run, had kept Springsteen in the studio for over a year, and he knew it was his last shot at a breakthrough. But if it was to be his defining statement, he needed an audience to validate it. He got that audience with an electrifying ten-show stand at a 400-seat club in Greenwich Village called the Bottom Line. It would propel him onto the October 27 covers of Time and Newsweek simultaneously and mark a turning point both for his career and for rock music.